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Performances & Recordings 1998-2018
by Charles Curtis
supported by 38 fans who also own “shade/gradient”
Is there anything that more accompanies the inherent melancholy of a day-long downpour than the cello?
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Joy Boy
by Julius Eastman
supported by 36 fans who also own “shade/gradient”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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Piece for Cello and Saxophone
by Terry Jennings
supported by 34 fans who also own “shade/gradient”
the 2LP version sounds incredible! really good pressing! i was turned on to this by my former cello collaborator, alec livaditis. and connected with it after reading that curtis worked on this piece for years... kind of like how i've been working on tweaking my looped clarinets set for years. i've been listening to these LPs over and over again and i thank salturn for releasing this beautiful music!
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Lee "Scratch" Perry's Guide to the Universe
by New Age Doom
Created in partnership with the Canadian noisemakers, the late legend's final collaborative LP enshrines his ability to lift joint ventures into otherworldly territory.
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Introducing SVIN
by SVIN
Danish avant-garde crew SVIN explore far-out new lands on their latest, the sound of a galaxy folding in on itself in cut time.
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Fifty One
by St Celfer™
Seattle’s St Celfer returns with four more boundary-breaking electronic compositions sparked with sudden bursts of melody.
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Prisma Interius VII & VIII
by Catherine Lamb & the Harmonic Space Orchestra
supported by 34 fans who also own “shade/gradient”
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