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“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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Performances & Recordings 1998-2018
by Charles Curtis
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Is the sound of any instrument more profound than that of the cello in the hands of a master? (Well, maybe the viola da gamba.) Here is exquisite cello music from the 14th to the 21st centuries played by Charles Curtis, including four compositions of his own. "Unfinished Song" will make you a believer.
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Prisma Interius VII & VIII
by Catherine Lamb & the Harmonic Space Orchestra
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StC Lives I: 51-61-74
by St Celfer™
Seattle’s St Celfer writes immersive electronic songs that encompass both haunting beauty & wild experimentalism.
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No Base Trio
by No Base Trio
featured on Bandcamp Radio Jul 14, 2020
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2227
by Brendan Byrnes
The Los Angeles-based composer makes xenharmonic and microtonal experimental music.
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The Reinvention of Romance
by Sarah Hennies
supported by 30 fans who also own “shade/gradient”
My humanities professor showed me this piece and i cannot stop coming back to it. Something deep and alluring of this piece keeps me wanting more. Absolutely one of my favorite cuts from last year.
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